I associate my works with cultural and social convention through time accumulation. I mix available modes and research data all around the world. I agonise about what I can do with things I already have, and am concerned with how I can create meaning and singularity out of major references around my daily life. I create regulation and agreement about today’s usage of reproduced formality and structures of antiques as well. For instance, the vase with flying crane and clouds patterns I copies from Goryeo celadon overlaps with popular logo, or luxury fashion brands. In my recreated regulation and agreement, people try to find out which is the auspicious cranes flying over the clouds replaced for today. In that sense, my work attempts to grasp cultural codes, modes of life and global inheritance and to have them work properly.
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