This solo exhibition is filled only with colored geometric shapes. If anything, they might be called abstract. Yet Hyunsun JEON paints in denial of both the concrete and the abstract. Even while her brush strokes painted geometric abstractions, her inner eyes were set on the concreteness of sheets of colored paper. Painting colored paper is rather nonsensical, as any description of an actual subject, an image describing an original thing, can only be compared to what it depicts, and it is bound to fall short of what it is seeks to depict. There is no right or wrong in painting colored paper. The painter need not worry if the painting resembles the actual.